{"id":3341,"date":"2021-01-18T02:12:09","date_gmt":"2021-01-18T02:12:09","guid":{"rendered":"https:\/\/www.lorenamal.com\/beta\/?post_type=portfolio&p=3341"},"modified":"2025-04-13T03:35:21","modified_gmt":"2025-04-13T03:35:21","slug":"reloj-de-pulsos","status":"publish","type":"portfolio","link":"https:\/\/www.lorenamal.com\/eng\/portfolio\/reloj-de-pulsos\/","title":{"rendered":"Pulse clock"},"content":{"rendered":"
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Reloj de Pulsos <\/i><\/b>(2013) es una escultura en forma de reloj que pulsa al ritmo del coraz\u00f3n de 3 edades humanas diferentes.<\/p>

Espejo de acero inoxidable, mec\u00e1nica y electr\u00f3nica a la medida\u00a0<\/strong>
30x30x15cm<\/strong><\/p>

La manecilla mayor indica el ritmo promedio de un humano de 50 a\u00f1os (60 pulsos por minuto o bpm, beats per minute). La manecilla de enmedio pulsa a la velocidad promedio de 12 a 49 a\u00f1os (70bpm), y la manecilla menor marca 120bpm que corresponde al promedio de un humano de la infancia a la adolescencia, de 0 a 11 a\u00f1os. Cada manecilla se mueve de forma independiente, haciendo sonar al mismo tiempo los 3 tempos humanos.\u00a0<\/p>

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PRESENCIA L\u00daCIDA [LUCID PRESENCE]<\/span><\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Espacio de Arte Contempor\u00e1neo (ESPAC), Mexico City, MX<\/span><\/h6>
2019<\/h6>
Curated by Ana Torres Valle Pons<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Text by Ana Torres Valle Pons<\/span><\/h6>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This project was a curatorial, artistic, and educational experiment that brought together works from the ESPAC Collection and projects by six invited artists\u2014Paola de Anda, Christian Camacho, Sara Garc\u00eda, Almudena Lobera, Lorena Mal, and Tania Solomonoff\u2014whose works tend toward transformation, unfold over time, and speak to us about the invisible, that which remains on the tip of the tongue.\n\nIn Presencia l\u00facida, themes were explored regarding the relationships between inhabiting, the conventions of the exhibition space, hospitality, and collaboration. The curatorial approach and the learning program explored the exhibition as a duration, a constantly rewritten and transformed construction through forms such as dance, performance, and video art, while also experimenting with non-visual artistic practices that sought to appeal to other senses and untranslatable bodily experiences.\n\nThe project was also a garden. In contrast to the systematic destruction of the environment that accompanies urban development, the space was transformed into a place featuring medicinal plants and a vegetable garden, as well as areas for rest and interaction. This is a gesture that creates a bubble, an exceptional space for practicing care and connecting with life in times of destruction. An oasis to inhabit hope and cultivate our joy.\n\nThrough its educational program and a series of public activities, Presencia l\u00facida [Lucid Presence] conceived the exhibition as a meeting place that facilitates conversation and collective ways of constructing memory.<\/span><\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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SINCRON\u00cdA<\/span><\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Galer\u00eda Central, Centro Nacional de las Artes, Ciudad de M\u00e9xico, MX<\/span><\/h6>
2014<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Reloj de Pulsos (2013) es una escultura en forma de reloj que pulsa al ritmo del coraz\u00f3n de 3 edades humanas diferentes. Espejo de acero inoxidable, mec\u00e1nica y electr\u00f3nica a la medida\u00a030x30x15cm La manecilla mayor indica el ritmo promedio de un humano de 50 a\u00f1os (60 pulsos por minuto o bpm, beats per minute). La…<\/p>","protected":false},"author":1,"featured_media":3344,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"portfolio_category":[48,58],"portfolio_tag":[68],"class_list":["post-3341","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-escultura","portfolio_category-sonido","portfolio_tag-obra"],"_links":{"self":[{"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/portfolio\/3341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/comments?post=3341"}],"version-history":[{"count":17,"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/portfolio\/3341\/revisions"}],"predecessor-version":[{"id":6041,"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/portfolio\/3341\/revisions\/6041"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/media\/3344"}],"wp:attachment":[{"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/media?parent=3341"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/portfolio_category?post=3341"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/www.lorenamal.com\/eng\/wp-json\/wp\/v2\/portfolio_tag?post=3341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}